home *** CD-ROM | disk | FTP | other *** search
- <text id=90TT0914>
- <title>
- Apr. 09, 1990: Going Public With Rape
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 09, 1990 America's Changing Colors
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ETHICS, Page 71
- Going Public with Rape
- </hdr>
- <body>
- <p>Should victims be identified when the crime is sexual assault?
- </p>
- <p>By John Elson--Reported by Andrea Sachs/New York
- </p>
- <p> Not in years had the Des Moines Register published anything
- that drew such passionate national response. For five days
- beginning in February, the Register (weekday circ. 210,000) ran
- meticulously detailed stories about a 29-year-old mother who
- had been abducted and raped. The series contained a graphic
- account of the assault and the woman's subsequent experience
- as a witness at her assailant's trial. To many Iowans, the most
- riveting fact about the series was that the victim chose to let
- the Register use her real name. By going public, said Nancy
- Ziegenmeyer, she hoped to focus attention on this underreported
- crime and thereby prevent other women from being raped.
- </p>
- <p> The Register's editors, who expected a torrent of canceled
- ads and subscriptions, were surprised by Iowa's overwhelmingly
- favorable reaction. Even more calls of support poured in after
- a story about the series was front-paged by the New York Times
- last week. Geneva Overholser, the Register's editor, believes
- strongly that the American press should be franker in reporting
- sexual assaults. "We are participating in the stigma of rape
- by treating victims of this crime differently," says
- Overholser. "When we as a society refuse to talk openly about
- rape, I think we weaken our ability to deal with it."
- </p>
- <p> The Register series appeared at a time when the U.S. press
- seems to be abandoning its largely self-imposed rules about
- protecting individual privacy. The press once routinely
- shielded the identity of juvenile defendants. Now stories often
- name youths who have been arraigned on offenses major enough
- to warrant their trial as adults. Even mainstream publications
- have begun to practice "outing"--that is, disclosing the
- homosexual preferences of closeted celebrities. Most papers now
- clearly state in obituaries that individuals died of AIDS.
- Within days of Malcolm Forbes' death, several journals noted
- rumors about the publisher's gay affairs.
- </p>
- <p> Rape has long been treated by the American press as a
- special situation. Hiding the victim's name, the argument went,
- protected her from the secondary trauma of exposure to prurient
- public attention. Journalistic policy elsewhere varies. The
- Code of Practice, drawn up by Britain's Press Council,
- prohibits newspapers from naming rape victims without their
- consent. In France, on the contrary, adult rape victims are
- usually named. In the U.S. three states have confidentiality
- laws that protect the identity of rape victims. But these are
- in limbo, largely because of the 1989 Supreme Court ruling in
- Florida Star v. B.J.F. The court overturned a $100,000 damage
- judgment against a Jacksonville weekly that had been charged
- with violating Florida's law by printing the name of a rape
- victim, even though she had been identified in a police report.
- </p>
- <p> Although few favor mandatory disclosure, there seems to be
- an emerging consensus that women should be encouraged to admit
- that they have been victims of a form of assault for which they
- need bear no guilt. "There's still a tendency to blame the
- victim," says Sarah Burns, of the NOW Legal Defense and
- Education Fund. To help demythologize the crime, some prominent
- women have openly acknowledged that they were victims of sexual
- assault. In a law-review article, Susan Estrich, Michael
- Dukakis' campaign manager, admitted she had been raped. So did
- actress Kelly McGillis, co-star of The Accused, a grimly
- realistic film based loosely on the 1983 gang rape of a woman
- in a New Bedford, Mass., bar.
- </p>
- <p> Deni Elliott, director of Dartmouth's Ethics Institute,
- contends that "ultimately we're doing women a disservice by
- separating rape from other violent crimes." A celebrated case
- in point is that of the Central Park jogger, three of whose
- alleged assaulters go on trial this month. Because she was
- raped, newspapers and TV stations have generally refrained from
- using her name. "If she had merely been beaten and left for
- dead," Elliott notes, "she would have been named." One journal
- that did name the jogger was the black-oriented Amsterdam News.
- Editor in Chief Wilbert Tatum argues that the city's mainstream
- press is guilty of hypocrisy for guarding the identity of a
- well-to-do white woman while it "stigmatized" the lower-class
- black youths accused of raping her by naming them even before
- they were indicted.
- </p>
- <p> There are, of course, dissenters from the idea of greater
- disclosure. Los Angeles psychotherapist Nancy Kless, who
- specializes in treating crime victims, contends that the
- "secondary injury" of being named can impede patients'
- recovery. Irene Nolan, managing editor of the Louisville
- Courier-Journal, wishes her paper could name rape victims but
- concedes that such a move might deter some women from reporting
- assaults to police. "I would like to change the paper's
- policy, but I don't think our community is ready for it," says
- Nolan.
- </p>
- <p> In an imperfect world, rights inevitably conflict. There can
- never be an absolute way of determining whether the press's
- right to the truth has priority over a citizen's right to
- privacy. In the case of rape, it may be that the traditional
- policy of reticence, even if quaintly motivated, still makes
- sense. Many women applaud Ziegenmeyer's courage. Not every rape
- victim can be expected to possess it.
- </p>
-
- </body>
- </article>
- </text>
-
-